温竞清艺术简介
温竞清,生于广东紫金中坝鹿子嶂南山下良庄宝善楼,现居深圳,中国大众文化学会名人书画艺术发展委员会副秘书长、中国楹联学会会员、中华诗词学会会员、中国楹联学会中宣盛世文化艺术交流中心会员、深圳市书法家协会会员。数十年来,潜心研习书法、诗词、楹联,别无奢望,偶有所得,乐不可支。
生平艺事被收入百度百科、书画家百科、名人简历、中国当代书法家辞典等多种名人传记与辞书。于1995年7月被收入由中共广东省委中国专家大辞典广东卷编委会编纂、广东人民出版社发行的《中国专家大辞典 · 广东卷》。《温竞清诗文选集》于2014年由中国文化出版社出版,并收入百度百科。2022年入编《名人辞典》。
七律.千古豪情诗境美
作家诗人艺术家/ 温竞清
春夏秋冬尽美颜,竹苞松茂吉祥绵。
诗情豪壮三千丈,世福雄强二万年。
古韵悠悠月圆意,新风习习景宏篇。
文章大雅墨香溢,明德欣荣爱善缘。
注
人民文艺服务人民,习主席指出,文艺创作方法有一百条、一千条,但最根本、最关键、最牢靠的方法是扎根人民、扎根生活。的确,人民和人民的生活“是一切文学艺术取之不尽、用之不竭的唯一的源泉。这是唯一的源泉,因为只能有这样的源泉,此外不能有第二个源泉”(引自毛泽东同志《在延安文艺座谈会上的讲话》)。
“人民,只有人民,才是创造世界历史的动力。 ”古今中外的优秀文艺作品,莫不是对其所处时代、所在地域人们生产生活、实践创造、思想情感的艺术化记录、总结、提炼和升华。可以这么说,人民和人民的生活已经为文艺创作活动提供了高质量的“脚本”和“蓝本”,作家艺术家进行的是“二度创作”。这绝不是否认文艺创作是作家艺术家的个性化、创造性精神劳动,但这种劳动又绝不是“闭门造车”,不是简单的“我手写我心”。咀嚼一己之悲欢,为赋新词强说愁,引不起人民的共鸣,得不到人民的认同,因而不具备传播的价值,圈子里热闹热闹之后就湮无声息。明白了这一点,就不难理解近年来很多“心灵鸡汤”式作品曾经畅销一时而迅速归于沉寂,就不难理解文艺创作生产中存在的某些“泡沫”现象,就不难理解“坐家”、写手不少而真正的作家、高手不多。
“为了谁”,这是文艺创作和发展的根本问题,因为人民的需要是文艺存在的根本价值所在。文艺只有选择了人民,才能为人民所选择。若熏染了铜臭气,则肯定不能弘扬正气,只会散发俗气、痞气和匪气,注定被人民唾弃。古往今来,那些历经磨砺而愈显光华、大浪淘沙而更加醇厚的传世经典,无不是源于人民,为了人民,属于人民。
“怎样为”,这是文艺创作和发展的关键问题,因为人民不是抽象的符号,而是活生生的具体的人。文艺服务人民就必须扎根人民,扎根人民才能表现人民。只有忠实而艺术地表现人民的奋斗和创造,抒发人民的情感和情怀,让人民从中欣赏到美的“自己”、欣赏到“自己”美的行动和美的创造,在欣赏中得到生活的教益、精神的愉悦、心灵的滋润和思想的启迪,作品才能为人民所喜爱,才能实现为人民服务的价值。但不可否认的是,有一些人投身文艺是“为人民币服务”,比如:有的以取笑残疾人取乐,靠卖弄小狡黠逗笑;有的“一角”“一夜”“一脱”成名,不是献身文艺,而是“献身”于观众的眼球;有的唯票房、收视率、发行量、点击率“马首是瞻”,调侃崇高而宣扬低俗下作,贬斥奉献而宣扬拜金拜物,讥讽诚实而宣扬油滑奸诈,放弃思考而宣扬娱乐至死……人民不满意,界内颇多批评。
文艺只有选择了人民,才能为人民所选择。若熏染了铜臭气,则肯定不能弘扬正气,只会散发俗气、痞气和匪气,注定被人民唾弃。艺术家只有真正贴近人民,扎根生活,把人民的冷暖放在心中,才能以文艺观照现实,温润心灵,涵养精神。
其实,正如人民群众是创造历史的根本力量一样,人民群众同样是创造伟大艺术的根本力量和源泉,艺术的不竭生机恰恰在于同人民群众的利益和命运紧密联系在一起。然而,曾几何时,“为人民服务”似乎成了一句遥远的口号,人民的欢乐、人民的忧患不知不觉让位于金钱决定一切的财富价值观,高贵的文艺蜕变成了市场的奴隶。文艺,这民族精神的火炬、人民奋进的号角,当她脱离人民群众的时候,必然黯淡无光,万马齐喑;文艺要主宰自己的命运,要让灵魂安居,只有归位于伟大的人民性,才能既崇高又接地气,从而做到天清地宁,岁月留声。
历史总会前进,当我们踏上了实现中华民族伟大复兴中国梦的新征程,是的,我们的文艺,极其需要讴歌奋斗的人生,刻画美丽的人物,坚定人们对美好生活的憧憬和信心,增强做中国人的骨气和底气。
国家兴亡,匹夫有责。文艺兴亡,你我有责。作为中国传统文化的坚守者、优秀文化的传播者,所以要积极开展和参与“人民文艺为人民”公益性活动,创作出更多更好的文艺作品,传递正能量,共筑中国梦。
Brief Introduction to Wen Jingqing's Art
Wen Jingqing was born in Baoshanlou, Liangzhuang, at the foot of Nanshan, Luzizhang, Zhongba Town, Zijin County, Guangdong Province. Currently, he resides in Shenzhen. He is the deputy secretary-general of the Celebrity Calligraphy and Painting Art Development Committee of the China Mass Culture Society, a member of the China Couplet Society, a member of the Chinese Poetry Society, a member of the Zhongxuan Shengshi Culture and Art Exchange Center of the China Couplet Society, and a member of the Shenzhen Calligraphers Association. For decades, he has devoted himself to the study of calligraphy, poetry and couplets without extravagant expectations. Occasionally, when he gains something, he is overjoyed.
The events of his life and art have been included in various biographies and dictionaries of celebrities such as Baidu Baike, Calligraphers and Painters Baike, Celebrity Resumes, and Dictionary of Contemporary Chinese Calligraphers. In July 1995, he was included in "Dictionary of Chinese Experts · Guangdong Volume" compiled by the Editorial Committee of the Chinese Experts Dictionary Guangdong Volume of the Guangdong Provincial Committee of the Communist Party of China and published by Guangdong People's Publishing House. "Selected Poems and Essays by Wen Jingqing" was published by China Culture Publishing House in 2014 and included in Baidu Baike. In 2022, he was included in the "Dictionary of Celebrities".
Seven-character Verse. The Eternal Magnificent Sentiment and Beautiful Poetic Realm
Writer, Poet and Artist / Wen Jingqing
Spring, summer, autumn and winter all have charming looks. Bamboo and pine are flourishing, and auspiciousness is continuous.
The poetic sentiment is heroic and reaches three thousand zhang. The world's blessings are powerful and last for twenty thousand years.
The ancient rhymes are long and have the meaning of a full moon. The new breeze is gentle and creates magnificent scenes.
The articles are elegant and the ink fragrance overflows. The virtuousness is pleasant and prosperous, loving the good karma.
Note
People's literature and art serve the people. President Xi pointed out that there are a hundred or a thousand methods for literary and artistic creation, but the most fundamental, crucial and reliable method is to take root among the people and in life. Indeed, the people and their lives "are the sole inexhaustible source of all literature and art. This is the sole source because there can only be such a source and no second one" (quoted from Comrade Mao Zedong's Speech at the Yan'an Forum on Literature and Art).
"The people, and the people alone, are the motive force in the making of world history." Excellent literary and artistic works at all times and in all countries are nothing but the artistic recording, summarizing, refining and sublimation of people's production and life, practical creation, thoughts and emotions in their times and regions. It can be said that the people and their lives have provided high-quality "scripts" and "blueprints" for literary and artistic creation activities, and what writers and artists do is "secondary creation". This by no means denies that literary and artistic creation is the individualized and creative mental labor of writers and artists, but this kind of labor is by no means "building a cart behind closed doors", nor is it simply "writing what is in my heart". Chewing on one's own joys and sorrows, and forcing oneself to express sadness just for the sake of creating new words will not resonate with the people and will not be recognized by the people. Therefore, it does not have the value of dissemination and will fade away after some excitement within a small circle. Understanding this, it is not difficult to understand why many works in the style of "inspirational chicken soup" were once bestsellers but quickly fell silent in recent years, and it is not difficult to understand some "bubble" phenomena existing in literary and artistic creation and production. It is not difficult to understand that there are many "home-based writers" and scribes but few true writers and masters.
"For whom", this is the fundamental issue of literary and artistic creation and development, because the needs of the people are where the fundamental value of literature and art lies. Literature and art can only be chosen by the people if they choose the people. If it is contaminated with the stench of money, it will definitely not be able to promote righteousness but only give off vulgarity, rascality and banditry, and is destined to be spurned by the people. Through the ages, those classic works that have shone brighter through tempering and become more mellow through the winnowing process have all originated from the people, been for the people and belonged to the people.
"How to do it", this is the key issue of literary and artistic creation and development, because the people are not abstract symbols but living and concrete individuals. Literature and art can serve the people only by taking root among the people, and only by taking root among the people can they represent the people. Only by faithfully and artistically representing the struggles and creations of the people, expressing the emotions and feelings of the people, and allowing the people to appreciate the "selves" that are beautiful, and appreciate the beautiful actions and creations of "selves", and gain educational benefits in life, spiritual pleasure, nourishment of the soul and inspiration of thought through appreciation, can the works be loved by the people and can the value of serving the people be realized. But it is undeniable that some people engage in literature and art "for the service of the RMB", for example: some amuse themselves by making fun of the disabled and making people laugh by showing off petty cunning; some become famous by "one corner", "one night" and "one stripping"; they do not devote themselves to literature and art but "dedicate themselves" to the eyes of the audience; some only follow box office, viewership ratings, circulation and click-through rates.
Mocking the noble and promoting the vulgar and despicable, belittling dedication and promoting money worship and materialism, sneering at honesty and promoting slickness and treachery, giving up thinking and promoting entertainment to death... The people are not satisfied, and there are many criticisms within the industry.
Literature and art can only be chosen by the people if they choose the people. If it is contaminated with the stench of money, it will definitely not carry forward the upright spirit but only emit vulgarity, rascality, and banditry, and is destined to be spurned by the people. Only when artists truly get close to the people, take root in life, and keep the people's joys and sorrows in their hearts can they use literature and art to reflect reality, warm the soul, and cultivate the spirit.
In fact, just as the people are the fundamental force that creates history, the people are also the fundamental force and source that creates great art. The inexhaustible vitality of art lies precisely in being closely linked to the interests and fate of the people. However, once upon a time, "serving the people" seemed to have become a distant slogan. The joys and worries of the people have unknowingly given way to the wealth value that money decides everything, and noble literature and art have degenerated into slaves of the market. Literature and art, this torch of the national spirit and the clarion call for the people's progress, when it is divorced from the people, is bound to be dim and silent; literature and art wants to control its own destiny and let the soul find peace. Only by returning to the great people's nature can it be both noble and down-to-earth, thus achieving clarity and tranquility and leaving a lasting impression through the years.
History always moves forward. As we embark on a new journey to realize the Chinese Dream of the great rejuvenation of the Chinese nation, indeed, our literature and art urgently need to eulogize the striving life, depict beautiful figures, strengthen people's longing and confidence for a better life, and enhance the backbone and confidence of being Chinese.
The rise or fall of a nation concerns everyone. The rise or fall of literature and art concerns you and me. As adherents of Chinese traditional culture and disseminators of excellent culture, we should actively carry out and participate in the public welfare activities of "People's Literature and Art for the People", create more and better literary and artistic works, convey positive energy and jointly build the Chinese Dream.
作家诗人艺术家温竞清部分书法作品欣赏