我写下的每一笔，都是与先人的对视。
墨要浓淡相宜，像世道人情；字须方圆兼备，如天地法则。这些横竖撇捺，不只是书法，它们亦是时间的信使。——辜广生

“辜体”书法介绍

辜广生所创的“辜体”书法，深深植根于碑学传统，尤以“二爨”为基，又融金农漆书的方劲与伊秉绶隶书的宽博于一炉，并汲取汉简的核心养分，且融合了行草书的用笔、楷书的结构，风格上追求古拙、飘逸。
其用笔以中锋为主，方劲沉实，起收果断，线条如铁画银钩，尽显刚健之气；结体则因字立形，外扩舒展，于楷法规矩中暗含篆之对称、草之灵动，字字变化自然。通篇观之，章法疏密有致，墨韵浓淡相生，气脉贯通而意境深远。
“辜体”之妙，在于大巧若拙——古厚中透出书卷气，沉稳处蕴藏禅意静心。辜广生常以诗文入书，以文铸魂，更通过字库开发等现代实践，让传统笔墨在当代语境中重焕生机。可以说，“辜体”不仅是古典笔墨的承续，亦是时代精神的映照，在当今书坛中独具光华。
2023年，“辜体”字库经国家知识产权局认定并命名，成为中华兰亭名家字库的重要组成部分。受中华兰亭字库网邀请，创作4000字入中华兰亭名家字库，命名为“辜广生字体”（简称“辜体”）。

著名书法家辜广生以其独树一帜的“辜体”书法，屡获文坛与艺界盛邀。受邀撰写六祖惠能《华光寺碑》、五台山北台《灵应寺碑记》，其笔墨深融禅意，典重浑成。
更受国际潮商会长俱乐部之托，以八百余字长卷挥就《潮商赋》，辞章恢弘、笔势磅礴，将潮商精神凝于翰墨之间。这些作品不仅彰显其书艺之臻境，更以笔墨载道，成就穿越时空的文化典藏。

辜广生《华光寺碑记》

在“辜体”演绎的《华光寺碑记》中古典碑文被赋予了连接当代心灵的体温

辜广生以融通古今的笔法将庄严古意化为可感知的现代线条——那些劲韧的撇捺，犹如划开喧嚣的禅音

疏朗的留白，恰是为疲惫日常预留的呼吸间隙这卷墨迹不再仅是历史遗存而成为一封寄给现代人的手书信

在高速流转的数字时代它邀请我们通过笔墨的起伏与顿挫触碰那些关于沉淀、宁静与永恒的共同渴望完成一场跨越时空的温柔共情

辜广生《五台山灵应寺碑记》

在《五台山灵应寺碑记》中“辜体”书法化作一场朝圣般的行旅

辜广生以笔为杖，在纸面山峦间步步生莲墨色时而如晨雾漫过经幢般浑厚时而似夕照穿透古柏般清透

那些源于隶楷又超越程式的笔画不仅是文字的筋骨更成为连接此岸与彼岸的栈道一横里可见香客漫长的山径一竖中能闻梵钟穿透层云的余响

当我们凝视这些仿佛会呼吸的字迹看到的不仅是书法的艺术更是东方哲学中“物我相融”的生动显现——纸上的灵应寺其实早已筑在每个向往清净的灵魂深处

辜广生《潮商赋》

《潮商赋》局部

辜体挥毫处，墨凝潮水意《潮商赋》八百字如八百里韩江奔涌起笔是红头船破浪的孤勇收锋为四海商埠连云的格局

一撇一捺间，可见工夫茶里沉浮的日月茶薄人情厚，货通仁义在那墨迹枯润相生恰似潮商百年跋涉枯处见闯荡的沧桑润处是反哺的温热

辜广生《太空猿联名诸圣创潮》

当辜体的方拙风骨刻入“太空猿”的星际轮廓一次跨越时空的文明对话便瞬间完成

来自碑刻与钟鼎的金石气息凝结为潮玩硬朗的机甲纹路与沉稳姿态使仰望星空的未来意象根植于汉字千年不移的厚重根基之上

这并非简单的元素叠加而是让深植于刀劈斧凿中的文化魂魄在当代潮流载体中获得了金属质感的再生与轰鸣

场景
《读书能见道，入世不求名

会客厅（图片由AI生成）

辜体书法“结字高古”的金石气如巍峨基石托起“读书”二字沉稳开阔的格局而“入世”之笔又融入了行草的流转于方拙中透出灵动的从容

墨色浓淡间，仿佛可见主人内心的图景在阅读的静默中洞见生命与天地的法则（见道）而踏入纷繁世事时又能持守一份淡泊与本真（不求名）

卧室入门玄关（图片由AI生成）

悬于卧室入门玄关此处便成了每日修行启程与归来的精神道场

晨起推门，第一眼便是这方拙沉稳的墨迹“读书能见道”的方劲古意如晨钟提醒新一日当以清醒心智与书香为始

暮夜归寝“入世不求名”的宽厚舒展则如暮鼓涤荡日间纷扰，让人卸下功名尘劳回归内心本真

《人生哪能多如意，万事但求半称心》

书房（图片由AI生成）

悬于书房这方寸天地便拥有了调和理想与现实的生命智慧

辜体古拙舒展的线条在书卷环绕中愈发显得通透它不语，却时时在说求知可求全，但生活宜求半笔墨可尽兴，而心境贵知足

这并非消极妥协而是在知识的浩瀚与生命的局限之间达成一种充满韧性的平衡让书房成为既追逐星辰、亦安顿身心的完整宇宙

私人冥想区（图片由AI生成）

在此独处的静谧中辜体每一笔方劲沉实的起落都呼应着吐纳的节奏

它并非被“观看”的文本而成为冥想的视觉锚点让禅坐者在一呼一吸间体证“不求全”的智慧于笔墨的古拙气韵中找到与生命真实境遇和解的寂静空间

更多作品

辜广生《白玉蟾诗·卧云》

辜广生《道德经名句》

辜广生《松鹤延年》

辜广生《出塞》

辜广生《滁州西涧

辜广生《清平乐·会昌》

关于艺术家

辜广生，汉族，广东潮州人，拥有研究生学历。作为当代书法“辜体”的创始人，中国书法家协会会员、国家一级书法家，西泠印社出版社广东分社执行社长、《中华英才》半月刊融媒体中心理事会副主席、粤港澳经济文化交流中心文化艺术高级顾问、广州艺博会专家顾问、广东省民营企业投资发展促进会艺术顾问、中国书画产业研究基地专家组成员、电视《文化强国》栏目组艺术顾问、高级智库大辞典首席专家、中国非遗发展中心艺术顾问、国宾礼艺术家、中国文联联墨艺术鉴定评审中心专家、中国书画院名誉院长、清华大学美术学院书画系客座教授、中国博物馆研究员、广东省作家协会事业发展委员会副主任、广东省建设学院客座教授、广东韩山师范学院书法客座教授等。
辜广生应中华兰亭字库网“中国书法名家字库工作委员会”之邀，精心创作4000字录入中华兰亭名家字库，入库后被命名为辜广生字体，简称“辜体”，并获国家知识产权局认定。2023年8月10日，“辜体”字库书典首发式暨辜体书法研讨会在人民大会堂、全国人大会议中心盛大举行；同年12月2日，其“辜体书法展”于北京荣宝斋大厦美术馆成功举办。2024年9月，辜广生再度发力，成功研发创作4000个独特书法字体纳入中华字库，被命名为“中华兰亭一一辜广生第二种”，成为“辜体”系列，经中华兰亭字库工作委员会严格评审，被授予中华兰亭字库“高级专家”称号 。2025年6月8日已成功创作当代“辜体”书法7300个字入华为、小米、荣耀、oppo、vivo五家国内手机平台。
辜广生的艺术影响力广泛，受邀撰写六祖惠能《华光寺碑》、五台山北台《灵应寺碑记》，以及受国际潮商会长俱乐部邀请撰写800多字长卷《潮商赋》。他的书法作品《沁园春·雪》被人民大会堂珍藏，《陋室铭》被国家博物馆收藏。
Gu Guangsheng, of Han ethnicity, is a native of Chaozhou, Guangdong Province, with a postgraduate academic background. As the founder of the contemporary "Gu Style" calligraphy, he holds multiple prestigious titles, including being a member of the China Calligraphers Association, a National First-Class Calligrapher, Executive Director of the Guangdong Branch of Xiling Seal Engraving Society Publishing House, Vice Chairman of the Council of the Multimedia Center of *China's Talents* biweekly, Senior Cultural and Arts Advisor of the Guangdong-Hong Kong-Macao Economic and Cultural Exchange Center, Expert Advisor of the Guangzhou Art Fair, Art Advisor of the Guangdong Private Enterprise Investment and Development Promotion Association, Expert Member of the China Painting and Calligraphy Industry Research Base, Art Advisor of the *Cultural Power* TV Program Group, Chief Expert of the Senior Think Tank Dictionary, Art Advisor of the China Intangible Cultural Heritage Development Center, National Guest Gift Artist, Expert at the China Federation of Literary and Art Circles' Calligraphy and Ink Art Appraisal and Review Center, Honorary President of the China Painting and Calligraphy Academy, Guest Professor at the Department of Painting and Calligraphy of Tsinghua University Academy of Fine Arts, Researcher at the China Museum, Deputy Director of the Career Development Committee of the Guangdong Writers Association, Guest Professor at Guangdong Construction College, and Guest Professor of Calligraphy at Guangdong Hanshan Normal University.
At the invitation of the "Chinese Calligraphy Masters Font Committee" of the China Lanting Font Library, Gu Guangsheng meticulously created 4,000 characters for inclusion in the China Lanting Masters Font Library. After being added to the library, these characters were named the Gu Guangsheng font, abbreviated as "Gu Style," and were recognized by the National Intellectual Property Administration. On August 10, 2023, the launch ceremony of the "Gu Style" font library and the Gu Style calligraphy seminar were grandly held at the Great Hall of the People and the National People's Congress Conference Center. On December 2 of the same year, his "Gu Style Calligraphy Exhibition" was successfully held at the Rongbaozhai Building Art Museum in Beijing. In September 2024, Gu Guangsheng once again made strides by successfully developing and creating 4,000 unique calligraphy characters, which were incorporated into the China Lanting Font Library under the name "China Lanting—Gu Guangsheng Second Style," forming part of the "Gu Style" series. After a rigorous review by the China Lanting Font Library Working Committee, he was awarded the title of "Senior Expert" of the China Lanting Font Library. On June 8, 2025, he successfully created 7,300 characters in the contemporary "Gu Style" calligraphy, which have been incorporated into five major domestic mobile phone platforms: Huawei, Xiaomi, Honor, OPPO, and Vivo.
Gu Guangsheng's artistic influence is extensive. He has been invited to inscribe the *Huaguang Temple Stele* for the Sixth Patriarch Huineng and the *Lingying Temple Stele Inscription* for the North Terrace of Mount Wutai. He was also invited by the International Chaoshan Business Club to compose an over-800-character long scroll titled *Ode to Chaoshan Merchants*. His calligraphy work *Qinyuanchun·Snow* is preserved in the collection of the Great Hall of the People, while *Inscription of a Humble House* is housed in the National Museum.